Sonate Concertate In Stil Moderno, Libro Primo
Castello, Dario (c. 1590 – c. 1658)
Castello, Dario (c. 1590 – c. 1658) Academy of Ancient Music Sonata prima for two violins
On this CD
Sonata Concertate In Stil Moderno, Libro Primo
Sonata prima for two violins
Sonata seconda for two violins
Sonata terza for violin I and cornetto
Sonata quarta for violin I and violetta
Sonata quinta for violin II and trombone
Sonata sesta for cornetto and violetta
Sonata settima for violin I and dulcian
Sonata ottava for violin II and dulcian
Sonata nona for cornetto, violin I and dulcian
Sonata decima for two violins and dulcian
Sonata undecima for two violins and dulcian
Sonata duodecima for two violins and trombone
About this album
"Seatbelts on and enjoy the ride!" - Richard Egarr, AAM Music Director
The Academy of Ancient Music explores a revolutionary period of Italian music through the work of Venetian man of mystery Dario Castello.
Working at the same time as Claudio Monteverdi, Dario Castello wrote innovative and ground-breaking sonatas that had a profound effect on generations of Italian composers. Very little is known about him today, but in the 17th century he was actually more widely published than Shakespeare.
AAM Music Director Richard Egarr is a lifelong advocate of Castello, and on this recording directs the composer’s first book of sonatas from the harpsichord and organ.Taking the form of a small chamber group, the AAM finds itself at its most adventurous and expressive, performing twelve fiercely virtuosic sonatas for violin, cornetto and dulcian that are full of imagination and colour.
This release – the fifth on AAM Records – follows the AAM’s critically-acclaimed series of JS Bach recordings. Their 2015 release of JS Bach’s St Matthew Passion (AAM004) was praised by BBC Music Magazine for Richard Egarr’s “compellingly original vision”, and was awarded BBC Radio 3’s Disc of the Week. JS Bach’s Orchestral Suites (AAM003) was awarded five stars by Fine Music Magazine and was described as “a feast of meaningfully understated musicianship” in an Editor’s Choice review in Gramophone magazine.